Glossary of speaker terms

Efficiency
This is the volume level a speaker produces, usually fed with 1 W, measured at a distance of 1 m (in the metric part of the world ;-). It is measured in dB[A] (somebody correct me if I am wrong). 90 dB/1W/1m is a fair efficiency, 96 dB/1W/1m is a good value for a PA system, less than 90 is IMO unacceptable for PA use.

Here horn speakers (broadband horns like HILTONs and highband horns from PA systems) stand out. A good midrange horn can reach over 100 dB/1W/1m.

Speaker efficiency is a function of frequency. A usual HIFI speaker system has it's rated efficiency in a range of roughly 50 Hz to 20 kHz. If efficiency is constant in this range, the speaker sounds 'even' (would this word be appropriate here?) - no sharp or missing high notes, a strong but clean bass.

The low cut-off frequency depends on the speaker design and on the size. There is not much a small coulumn speaker like in the YAK (with 6"x9" size) can do below 100 Hz compared to a 15" PA speaker, that maybe can do even 45 Hz rather well.

Compared to the fact, that most men can sing a lowest note (A') at about 110 Hz and some can go down to 50-60 Hz, this limit can really hurt.

speaker power
This mainly states how much power the speaker can carry before overheating it's coil. A usual rating could be 150W continous, 600 W peak (for a small PA speaker). This does not mean "undistorted", it means "without blowing."
maximum speaker power with stated distortion
How much power a speaker can handle without distorting and becoming nonlinear, is a complicated thing, and - very important - is a function of the frequency. It is fairly easy to handle the maximum speaker power at 1 kHz, but doing that at low frequencys requires big speakers. I doubt that a YAK can handle more than 75 W at 200 Hz without distortion.
Amplifier power
The power an amplifier can handle depends on physics, the number you hear depends on interpretation. There is a peak rate, a continous rate, a burst rate .... so ask for which power rating is used.

The Hilton 201 amplifier integrated circuit is listed for less than 75 W continous, the same IC is used in the 300B, so take the numbers you get from callers and suppliers with a grain of salt.

An amplifier should never, never clip, i.e. run into it's hard limits, because this can easily kill highrange systems in more-way-speakers. Speakers need amplifier headroom for survival. So a recommendation often heared is that the amplifier could have a slightly higher rating than the speaker, but not less.

The power needed
What do we need?

Not power per se. We need a certain volume level at a certain distance from the stage. So an efficient speaker requires only a small amplifier.

I found the Director rather efficient, but most PA speakers are far better. (I can check that, if somebody is interested.)

The impression of volume
I heared very different things on how the subjective volume impression is made. I came across different models on how to weight the spectrum of the 'noise' and so on. From personal view, I found that i feel music as "loud" or "too loud", if it becomes distorted, either because the speaker is at it's end or my ears are.
Loudness correction
As the ear is somewhat nonlinear regarding volume, basses and trebles are often boosted at low volume levels for creating a rather 'even' impression. This is done in the Hiltons with special volume controls. If it is done wrong, the impression becomes uneven, either too little basses, or to much.
headroom
Headroom is a term for how much a system can handle over the=20 normal load. A typical headroom for a sound mixer is 20dB, that is: the normal voltage level is 1/10 of what the system can do. For a speaker this would mean to run a 100 W speaker at about 1 W average load. With enough headroom a loud signal (i.e. drum solo in the middle break of "rocking in rosalies boat") will be transferred without distortion (even if someone drops the mike...). This is necessary for a clean sound. A well made sound system still has some headroom when it is at full operation volume. I found that most Hilton/Yak setups at special dances don't.

written by H. Niemann, last change: 1999-12-23